Deconstruction of an Otaku Person


There wasn’t much really to Hinata’s life. He would go to his part-time job in Akihabara, selling the same merchandise he himself loved to collect, come home to his small two-by-two tatami mat apartment, and venture into the waking hours of the morning on the paper wings of a manga or the flashing lights of a video game. He had a community online, but he only knew them by username, not by face, and had never truly known any of them before. He was clearly what Japanese society terms a N.E.E.T. That is, Not in Education, Employment, or Training. And he was fine with that.

Why bother to foster relationships, careers, hobbies that are just eaten up by time or expenses in the end? No, better to spend the time on things that, even if they let you down, still massage those basic nerves of pleasure, pumping blood from the heart that yearns for escape from reality. That was Hinata’s philosophy, in more artistic terms since he hadn’t a creative bone in his body. He was built to consume.

Another long day of peddling perverted paraphernalia had passed before he finally reached the part of his routine that brought him home. Home, to a little cupboard with a TV on the floor, a pile of blankets in front of it, and food garbage littered around it in an almost ritualistic circle. The majority of the box’s volume was taken up by shelves – a full display of various entertainment, from video games to anime to manga to, above all else as the residential idols, his beloved painted figurines.

These figurines weren’t your run-of-the-mill action figures. They were expensive, handcrafted works of art. They were also sexy, something that was absolutely required if Hinata could feel comfortable dropping 90,000 yen on just one statuette. He was turning thirty next week, which meant that he had accumulated one-hundred and twenty-two high-grade PVC and silicone anime girls over the 16 years he had been collecting. They were the wallpaper, from floor to ceiling, in their flowery dresses, stylish kimonos, tight or revealing clothing. Ninjas, Magical Girls, Mech Pilots, Demons, Space Assassins, Vampires, Bunny Girls, Angels, Knights, Militants, Beasts, Schoolgirls…He had one girl for every occupation, any occasion. The occasion being: what was the flavor of his pleasure today?

Today, Hinata had sold a figure he never thought he would sell. An otaku, a total loser and pervert, acknowledged as ugly in her own anime show, to some boy who had a very depressing look on his face. So depressing, that Hinata almost empathized with him. But he didn’t want to empathize; he would rather escape into a cheerful game with a cheerful girl by his side tonight. Perhaps a city simulator RPG of some kind? As for the girl, well, the selection was his favorite part.

After looking over his assortment of dolls, Hinata decided on one of the Magical Girls. She had brilliant pink hair that sparkled when the light hit it a certain way, and a detailed gold-dusted wand with intricate flourishes of clear plastic to imitate a magical effect. She was suspended in midair using the same plastic, which allowed her ruffled sleek pink dress to be crafted in a way that suggested she was performing some sort of impressive acrobatics. And, to top it all off: her smile. The perfect combination of painted eyes and mouth, making it appear like she was filled with wonder and excitement to be doing whatever it is magical girls do. He needed that kind of wonder in his jaded adult life. So he picked her up, delicately, careful not to snap any of her fragile accessories.

Not careful enough, however. One of the Magical Girl’s translucent flourishes hooked onto the curled tail of a Snow Leopard hybrid, pulling the Beast from its den and onto the floor where it promptly snapped in half.

“Shit,” said the Magical Girl.

Hinata’s eyes widened in disbelief. He would have dropped her from shock if she hadn’t set him back two months rent to acquire. 

The Magical Girl figurine immediately tried to correct her mistake by stiffening up. But the damage was done, and the room was too small for Hinata to suspect an intruder. He poked her curiously in the cheek, which set her into a laughing fit.

Hinata tripped with surprise into his pile of blankets as the other one-hundred and twenty-two figures lining his shelves let out a collective groan.

“Well, that’s just great. Couldn’t keep the giggles to yourself, huh?”

“Stupid Magical Girls, always so pent up from being in storylines too serious for them.”

“Hey, don’t blame her breaking character on all of us! That’s a harmful stereotype!”

“All your magic rot your brain, huh? Baka!”

The Magical Girl figure blushed angrily. “W-w-well I can’t help it, you saw what this idiot did to poor Nugleatonga!”

“Mrooooooowr…”

“Oh, good, she’s all right at least.”

Hinata’s head was spinning. At first, the scenario was frightful, as any scenario involving living dolls usually was. But he quickly realized that they were all rooted to the spot, fastened securely on their stands, only able to move their heads and change their expressions. They may be alive, but they couldn’t go anywhere. He owned them. They were his, to talk to and find comfort in, to bring him the pleasures that friends usually offer. He wouldn’t have to be alone ever again, or be alone with people who he thought weren’t worth being around. He now had a captive audience, to enjoy his company as he enjoyed the typical pleasures of his passing days.

Almost as if they read his mind, all heads turned in unison to face Hinata directly. An entire cage lined with painted eyes from every side, judging his silence.

“Do you know why,” sneered a Mech Pilot, reclining on a model of the cockpit belonging to her giant robot (parts not included), “we have never talked to you before? It is because, while you are at work or engaged in frivolous play, we have our own way of finding entertainment.”

“Every figure based off of a popular brand – say, a popular hero from an anime show – is consciously tied to that property” explained a Smutty Teacher, bent provocatively over a desk with her thin metal pointer poised under indecipherable text scribbled on a chalkboard. “So, while we may seem inanimate, we are actually tied directly to our counterpart’s experiences in their primary medium. Whatever plots she experiences in her story on the screen or the page, we are able to experience it constantly, as if for the first time. And let us assure you, it never gets boring.”

“You, on the other hand,” scoffed a Schoolgirl, her skirt blown up like a tease, arms crossed and cheeks delicately colored pink with scribbles over her nose to show embarrassment though her voice relayed nothing but disgust, “are soooooo boring! Gawd! Every night you do the same damn thing…come home, fall down in that heap of greasy rags, hammer your thumbs on the control or your hand on your dick, and pass out. It’s just…It’s freaking pathetic.”

Hinata colored in anger and humiliation. These figures of plastic and paint had seen him do all sorts of embarrassing activities, watch shameful entertainment, mope and sulk in his loneliness, and now they could criticize him for all of it! He wouldn’t stand for it. He would break each and every one of them, take off their clothes, bring them to such a position of lowness that they wouldn’t dare speak to him like some homeless addict in his own apartment.

“Whatever you’re thinking, perv,” muttered a Demon Girl with built-in stone horns and a velvet tail wrapped around thighs bigger than the rest, “Don’t think we haven’t seen it before. You’re upset for us judging you, but don’t seriously act like that doesn’t describe you to a T! You take a dead-end job that pays you just enough for terrible food and a crap place, so you can blow all your cash on stuff that gets your rocks off. No savings for a better life, no energy to try harder, no time to build relationships. You don’t play video games for a release, you do it to get off on the girl avatars. Don’t lie, we see you, creep! You’re not a fictional hero, or some intelligent creative soul who deserves better and is just misunderstood, or a skilled professional in anything at all. A loser. Just a damn loser is what you are.”

Hinata seethed, but his confidence in being a superior human among inferior plastics was starting to waver. He did not back down! He insisted upon his philosophy, his hedonism, his attachment to the pleasures of buying material things that give you exactly what you expect. Why would he change, when this life was predictably pleasurable?

The little cupboard apartment was filled with the loud derisive laughter of every single figurine. The cackling broke Hinata’s spirit: this was the exact kind of noise he desired to escape, that he never wanted to hear from real people and so retreated to the imaginary.

“You moron,” spat a Bunny Girl, tastelessly showing the backside of her tights while holding a champagne tray, glasses filled with a hardened gel substance, “Don’t you know the only thing you’re relying on are all those horny, good feelings that come from being young? What happens when you get past thirty, then past forty, and you can’t get it up and you get all tired, fat, and old? Then, when you can’t even realistically escape to where you want in this little sanctuary you’ve built, cause you can’t even keep up with your fantasies, you won’t get nowhere out there in the real world, neither! Alone, broke, too tired to get your buzz on…Shit, you might as well just die now, dumbass!”

There was a murmur of agreement from all of the figures. An Angel in the back started the chant. The rest of the girls slowly joined in with sadistic glee.

“Die. Die. Die. Die. Die! Die! Die! DIE! DIE! DIE!”

The command was so loud, so violent, that the whole room was rumbling under the vibrations of their demonic timbre. The paint depicting their eyes, no matter the color, glowed red. Over a hundred cutesy anime eyes, shining all around him with the dim glow of an emergency exit sign that would open up straight into a deep pit of absolute darkness. Hinata desperately wanted to dash for the door, or at least flip the lights on, but he could no longer see which way it was – even if illumination was only at arms’ length. But his arms were too preoccupied, pressing his hands like suctions against his ears, and his skin was too thin to keep out that chorus of demeaning voices as they added more insults to the sad heap cowering in the center of the room.

“Idiot!”

“Loner!”

“Pathetic!”

“Virgin!”

“Antisocial Coward!”

“Introverted Weakling!”

“Broke-Ass Little Bitch!”

“Selfish Asshole!”

“Addicted Weeb!”

“Pervert!”

“Pedo Freak!”

“Creep!”

“Gamer Trash!”

“Loser!”

The voices wouldn’t stop. Curled in a ball, bawling, begging them to leave him alone, Hinata finally started screaming at the top of his lungs to drown them out. But the dolls were louder, their pulsating red eyes surrounding him oppressive, and he couldn’t look away from their voyeuristic delight at beholding such a pathetic piece of human waste shriveling up under the heat of their humiliation. That was the sort of thing from which they derived their greatest pleasure. It was about time they got some from their “owner” for a change. At least he could be somewhat useful for once in his worthless life.

♋ ♋ ♋

When the police burst into Hinata’s room, they were shocked by what they saw.

The Leasing Office had called them, firstly concerned with receiving the past month’s rent, which was never delivered, but secondly with concern for the tenant’s safety. Other neighbors had reported strange noises as they passed by the door every day – morning or night, it made no difference. The noise never stopped, a weak dry-heaving on perpetual loop, accompanied by the background vocals of a hundred whispers. 

Breaking down the door after he refused to open it, the police discovered Hinata lying curled up on the ground in the middle of his room. His hands were still clasped tight over his ears, milky eyes staring up at the ceiling but seeing nothing, skin stretched taut against his wiry frame that looked like it hadn’t been nourished once for an entire month. His chapped lips quivered fearfully, repeating nothing in particular but simply reminding himself he still existed, by virtue of having a voice. The police tried to remove his hands from his ears, but they wouldn’t budge; his joints and muscles were so tensed up from fear and time working against him, that they had locked in place.

It would take four months before Hinata recovered from dehydration, starvation, lack of sunlight, muscle spasticity, and psychological trauma. During therapy, he refused to say what happened to make him feel like that…other than his home had been “invaded” and that he had been forced to “look inside himself and make changes in his second shot at life.” Hinata may have missed his thirtieth birthday, but whatever ordeal he underwent in that dark cupboard of a room ensured that his future birthdays would extend much longer. And have much more meaning.

Filed away in the police report, as well as the Leasing Agent complaint, was the status of Hinata’s apartment at the time of the rescue. Everyone knew about it, but the landlord decided, upon a personal visit to the scene, that he wanted no part in whatever the Hell was going on there, and took the room completely off the books for good.

What the police had walked in on was a peculiarly minimalist room, but nothing they hadn’t seen before from a dead-end N.E.E.T. like this one. What made it peculiar were the statuettes lining the shelves, hundreds of them. They could tell they were once figures of cute anime girls, very expensive, expertly crafted and clearly coveted by collectors.

Once.

Now, they were repulsive, sickly monstrosities. Their limbs, bodies, and necks had stretched towards where Hinata’s limp body had been retrieved, as if hungry to claim his soul. Paint had melted, smeared, swirled across their bodies in indecipherable symbols and streaked their faces into bleeding nightmares. Their clawed fingers, pointing at him with accusations – painted mouths split to become smiling fanged jaws – their eyes, hollowed out into empty pits – their clothes, torn and blended in with their bodies to create leathery, mutated forms with multicolored appendages stretching out towards, again, the spot where Hinata was recovered. Hinata refused to mention the figures, grew pale as a sheet whenever they were, and the therapist tasked with his recovery eventually shut down the topic altogether.

The police chalked Hinata up as a mental case and left it alone. The Leasing Agent, however, needed to resell the apartment, and continued to receive complaints of threatening whispers coming from within.  He also heard that a lot of the previous tenant’s abandoned belongings would fetch a high price, which was as a good incentive as any for action.  So, one day, he decided enough was enough and opened the door to clear the place out.

It must have been a trick of the dark, but…The Leasing Agent could have sworn that, as soon as the light entered that stuffy cell, every single head of every single figurine swiveled in unison. Staring, directly at him – judging, and eager to see the natural sentence carried out, so they had a good reason laugh forever and ever.

The Leasing Agent locked the door behind him and never looked back.


Akihabara


2:53 AM. A time when most boys would be asleep, ought to be asleep. 

But not he. Not this boy.

Ever vigilant, ever working, the ligaments threaded through his wrist to the tips of his fingers straining away into the break of dawn. Skin crying, salt blinding his dark, blank eyes as it trickles into his gasping mouth. Brainwaves fade in and out, trying to puncture sheer tiredness with a clear picture of the work that is almost beating him down. Yet he will not waver. 

He is too inspired.

His lips sticky, his mouth dry; clamping down, getting stuck, peeling apart, repeatedly. It is almost complete. The boy has been holding back, but now all of his energy is on the front lines for that final stretch. It requires his body to work as one whole, all muscles pumping as a single mechanism as opposed to separate gears. Bleary eyes focus on the light, and the fallen angel waiting there with open arms, encouraging. 

“Come on, come on.”

Almost there, almost there, there, there, there! Throwing his all into it, the strenuous task is complete. The boy, exhausted of all will, drained of another night’s effort, lays his head down to rest. Alone in the puddle of victory.

The ringing begins as a faint tinkle; suddenly it swells to a tinny siren that nearly deafens the boy before his ears determine which wall it is behind. Then the noise is before him. A hand reflexively extends and slams down on a nearby phone, silencing the programmed alarm. Just as he is on the brink of slipping back into disturbed slumber, the next alarm rings, startling him upright from a pool of saliva glazed across the keyboard serving as his pillow. The humongous monitor in front is black, still hot from last night’s labors. Familiarly bland walls surround him, covered in posters of seductively drawn women of all poses and body types, yet these were all unfamiliar to him. Who are these faces? There were even a few that looked of flesh and blood, but they were as flat as the rest. Shelves filled the spaces that were not covered in paper, and these housed miniature women, three-dimensional this time, with cute smiles, fierce bosoms and glittering eyes glaring down emptily at the boy. Various DVDs in colorful boxes serve as their wall dividers, which the boy has watched once apiece and forgotten altogether, having served their purpose. But still these numbers, the posters and the DVDs and the girlish figurines, will multiply. And the boy will forget.

That is why he goes to Akihabara. That is why he labours every night.

His consciousness finally recognizing the surroundings as his own handiwork, the boy sorely heaves himself out of the squeaky swivel chair and he slinks across the crowded apartment’s tatami mat to the shower. Only the floors were clean; he felt dirty. The water did better to wake him from his sleep, and he was almost reluctant to step out from under the heavy steam pounding down upon his bony back, but it all did little to wash away the weight that fastened itself tightly to his chest. He still had to deal with the Impersonal World before he could return to the Personal; He must first go to Gakuen to get to Akihabara.

Dressed in bland tar uniform, the boy snatches up his bag and heads for High School. A place he used to look forward to attending. Used to. But, then…

What exactly happened after that?

♋ ♋ ♋

He is already at the station waiting for the train to Akihabara. As if school was a thin minute passed on the boy’s clock, transparent, void of substance. He saw it coming, but hardly felt it leave. What happened to him? School just didn’t seem to have the impact it once held: The thrill of learning, applying skills in a natural occupation…who was it for, really? Not for the boy.

But he has Akihabara. He’ll be all right.

“Hello, Benjamin!”

The boy turns. A cute girl he recognized from his class. Her name was…No…Nobuko. So it is. Her name was Serizawa Nobuko, and Benjamin fell into a crush with her on his first day at Gakuen, transferred from America. She was that bashful, sweet trope one always saw in cartoons and the like, and contrarily as vulnerable as a dandelion around him. He even asked her to call him by his first name, and she embarrassingly consented. But, as with all of the boy’s interests, that crush just sort of faded away, along with any interest in Nobuko’s friendship whatsoever.

He knew she liked him and valued him as someone to bounce her English off of; he couldn’t help if he didn’t feel the same way with Japanese.

“Hey, Serizawa.”

He turned back to face the tracks. Nobuko waited a while, suddenly looked hurt, but only for a moment, and strolled up to his side. She playfully nudged him with her shoulder while staring at her feet and thought about what to say. She wasn’t great at conversation, but she knew she wanted to be friends with Benjamin again. Maybe even more than that this time. So she would have to talk, something she wasn’t good at, but hoped it would be worth something. She might not have even tried if she saw through to just how futile her feelings were. How they fell on a heart of stone.

“So, where are you headed?”

“Same place I always go.”

“Akihabara? Oh, that’s, um…cool.”

The train will soon be approaching. Please step away from the tracks.

“Um, listen…Did you want to work on Mr. Kasamatsu’s homework later?”

“Sorry. I’ll be working hard tonight.”

“Oh, okay. On what?”

“The usual stuff.”

“Oh, you mean your concept art? Which characters are you working on now?”

However the boy replied, the train drowned it out with a roar. Nobuko was now even more hurt then before, but never one to forfeit easily. She remembered the boy her heart went pitter-patter for, and that’s what she wanted to feel again. She wanted to see that boy again. She needed to try harder for him.

On the train, the passengers were lined together like the DVDs on the boy’s shelves. Nobuko struggled to stand next to the boy, but it wasn’t because she liked it. She glanced up with genuine care, but was discarded for a new, unexpected concern. A concern for the boy that she couldn’t quite place, as if she worried about him. As if he was going somewhere she could not follow, and would not dare to.

“Hey, Benjamin, I really liked those drawings you showed me last week. Actually, you know, I’ve been working on some lines and voices I think might fit them, if you-“

“That sounds great, Serizawa.”

“Really? Well…um…do you think you could come up with some more concept drawings for me? I mean, I don’t want to interrupt what-”

“I don’t know. I’ve been kind of busy.”

“With what? I thought that you wanted-“

“I said I’m busy.”

We have arrived at Akihabara Station. Please back away from the doors.

So that was it. A shadow darkened Nobuko’s face as the word AKIHABARA glared down at her. Now she recognized that foreboding concern. It was the same that she had seen in her brother, a denial of the Impersonal World in favor of the Personal. Vanishing time, disconnection from what others tell you really matters…That was the power of Akihabara: to suck you in until it would be impossible to escape. Nobuko was helpless, as was the boy.

The boy felt something small inside him say that he had been too cold to Nobuko. He didn’t really want to listen to it, considering there were yet more pressing matters at hand. Still, under impulse, he turned around and gave her a slight smile and a wave. Was that enough? It should be. Time to get to work.

The train will soon be departing. Please step away from the tracks.

The doors closed. Nobuko did not smile back.

♋ ♋ ♋

The boy’s eyes were creased in a cast look of contemplation, whether from the bright screens flashing within the streetside stores or an overload of popular graven images flocking the merchants’ shelves. Witness the otherworldly bleeps of the UFO Catchers heralding poor suckers whose wallets they entrap in greedy, plastic claws. Follow escalators to rows and rows of arcade games and Sega machines, each user pitted in a furious battle against the unknown opponent performing at the opposite console. Manga stores, crowded with light novels, graphic novels, and other popular serials, strategically labyrinthine to prevent curious, unaccustomed eyes from stumbling their way to the top floor, a treasure trove of nude women whose only limitation is the restriction of their mere mortal artist’s imagination. Whole buildings stuffed with various eye-catching knick-knacks, a technology bazaar, from cheap quality cameras to adorable Kigurumis to Evangelion razors to Gundam model kits to Doraemon bedding to Keurig machines to things you can’t imagine anyone would ever buy. Countless cafés, some new and some worn down, some featuring owls and others cats, or even maids. The maids are the only feature of a café to advertise their own exhibition, which they do so loudly in the street and impart either a flyer or a pout, casting a pox of guilt upon you either way. 

The boy avoided them, taking a route in front of the Owl café, where a Barn owl observed him from a window through unblinking eyes. Though not yet a Saturday, the cosplayer’s day of choice, there were still a few Haruhis and Elrics perusing the overstuffed skyscrapers. Even if these were scarce, there would always be Victorian clad Loli decked in frills and lace stockings, parasols hovering over the heads of the hundreds of people in the hundreds of shops with their thousands of products, useful, useless, or both.

This is the boy’s world. This is Akihabara.

But the boy is not here to dally in and out of the plush nooks and crannies of diverse culture beyond his tatami mat room; he is here on a mission, a mission to discover a new occupation. His screen-dried eyes peer through the businessmen, past the maids, over and under the iDOLM@STER advertisements, until his vision firmly grasped that fatal store. He was an honorable customer here, well known and frequent in patronage. 

“Irasshaimase!”

A young man, a native around the boy’s age with eyes shielded by a large toboggan, beamed a smile that disjointedly followed the boy as he entered the store and walked through the transparent glass displays. He had come at a particularly slow time; only two or three other persons were also in the store, both in their pre-teens, perusing the stack of Naruto manga and laughing at the battle. The boy took no interest in any of these figures; he cared only for those of resin and plastic. There they were, calling to him from the back of the store in a charming conglomerate of attractively ethereal hair and eyes, molded and cast and brushed to perfection. But the boy was not a little bit disappointed, for these were all familiar faces, and familiar faces are not helpful to one of his occupation. A red-haired demon with a seductress’ lure; a pouting Loli stuffed with creamy cake; a pop idol wrapped in her six-foot long aquamarine twintails; a fanged tomboy sporting cat ears and a long, playful tail; an embarrassed well-endowed maid forced into a playboy bunny outfit; several intimidating marines decked out in what appear to be ship cannons and jet wings; the occasional Mecha pilot in her uncomfortably tight clothes stretched out across a heap of rubble. To the unaccustomed eye: a plethora of expertly crafted works of art. To the boy: a garbage pile of yesterday’s passion.

Yet, among the bright smirks and extravagant costumes, one stands out to the boy as one he has not seen before. Sacked in an unflattering school uniform, with a sickly look to her grin and dark circles under her droopy eyes, stands someone new among this recurring party. The boy snatches her up, and, along the way to the register, a packful of merchandise related to this curious newcomer. The young man at the front seems confused by the boy’s behavior, but it is not his place to question the boy’s peculiar tastes, for he knows his own are generally frowned upon. When the boy exits the shop, the numbers of consumers shoving each other on the sidewalk has doubled, signaling the fast approach of night. The lights flash even brighter, the maids shout even louder, the customers pay even more, and the boy’s time is even fleeter. He cares not for these ostentatious pavilions of the year’s newest spoils, but elbows his way back to into the subway under the sparkling archway. Even underneath he cares nothing for the transitions between advertisements for the next big thing; he will hear about it later himself, and in that moment will decide whether to offer up his precious time. For now, though, the short, strange girl and her show await, and the boy is thrilled at the prospect of another night’s hard effort.

For that is the influence of Akihabara, despite the boy’s ignorance of the splendor surrounding his miniscule universe. The broader paintbrush is of devastating use in the minute details of one’s meticulously sentient canvas. Even so, was the puny detail paintbrush ever successful in efficiently completing a masterpiece on its own?

The train will soon be approaching. Please step away from the tracks.

♋ ♋ ♋

4:22 AM. A time when most boys would be asleep, ought to be asleep. 

Not he. Not this boy.

Yet, this time, the boy was not working; he had tried to at first, but became unable to continue past the icy tears welling by the gallon in his worn eyes. After five hours of studying his new goddess’ animated show and browsing through a stack of her graphic novels, the boy became aware of an emptiness. The girl was, in a way, very much like himself; unhealthily buried in Otaku culture to the point where it loses its form, loses its value, and is morphed into nothing more than a mindless pleasure. School and social life are buried with future prospects, and the boy’s heart is now weighed down by these revelations. It started off the size of a mustard seed, and blossomed into a mighty fir of discontent. Only recently had he been to Akihabara, but it felt so long ago in the shade of this mighty tree, his newfound depression. Emptiness had eaten away at his soul like a burrowed grub, screaming and crying for nourishment but receiving only the leftover promises of a passed dream and the recycled pleasure of present infatuation as the joy of watching his shows, of playing his games, of pleasing himself in accordance, had been sapped of their value. 

He no longer found pleasure in, and thereby reason to continue, his work. Where did it all go to ruin? He wanted so badly to be the creator behind the things he venerated, but knew he was not ready. All that time he prepared by studying the material, reading the manga, watching the anime, did it go on for too long? Did it become his escape from such overwhelming ambitions and the possibility of a bleak future? But now his bleak future is here, and he unable to escape its stone-cold grip clenched around his throat. 

No! He could still escape that void of purposelessness, he could still pour his life into art! Where did he bury those sketches, those depictions of characters whose future once looked as hopeful as his own, those products of his own soul and not of someone else’s? Where could they be?

The boy searched and searched, but nowhere could he find those fragments of memory needing to be reborn, rekindled, reimagined. The boy was alone with his present misfortune, suffocating under the pressure of losing what once drove him so hard to succeed. Serizawa, too, had believed in him. In fact, he really liked her a lot, but she lost precedence to each new imaginary idol that the boy bestowed his infatuation upon. Bit by bit, what he held close died away, though his collection grew; now he possessed plenty, and yet nothing at all.

The world finally clicked, and the boy became aware.

Aware of lifeless eyes peering down, jeering down, on faces forever fixed never to love him in return. He felt completely exposed and ashamed and alone, with no one he could call on, and no easy way back to his former life. He imagined his figures were jealous, despite the fact that they were not, and dropped into the fetal position, crying out for protection. Shadows began to rise from their hollow forms, but these were just as emotionless as the husks they evacuated. The boy cried harder for help. He knew not to whom, or from what, but he desperately needed to feel safe and hopeful again. Serizawa could not hear him, and he could not help himself.

And so the boy staggered to his feet, crashed into the shelf housing his prized collectibles, and bumbled his way out the door. The pressures of life were too monstrous; he needed to get somewhere, somewhere with people as hopeless as he was, to know he was not alone.

There was only one place where he ever sought help. He needed to return to Akihabara.

♋ ♋ ♋

The boy neared the train tracks. Dawn was almost otherworldly, casting its bloody-blue hue down upon the misty morning as it reached down to shake the world awake. Usually, the boy would not notice it, but this becoming light terrified him, pushed him to hurry with greater haste. He bolted into the subway, shielded by the manmade grave for salary workers, but the shadows of discarded dreams and fancies awaited him there, melded as one. They made no movements, but cackled and giggled at the lost and lonely boy; he was surrounded on all sides.

The train will soon be approaching. Please step away from the tracks.

“Somebody help me! Don’t you see them?”

The boy murmured manically, and the few people in the station, not many, not nearly enough, glanced at him perplexedly with a slight hint of disgust.

“Don’t you see them?”

The curious lose their curiosity, for they have real work to do, and so the busy people walk on by, ignoring the boy. He continues to plead.

“Didn’t you see them as they came for you? Didn’t you realize what was happening?”

The train will soon be approaching. Please step away from the tracks.

The shadows plunge down in a heap of despair to snatch up the boy, and he turns to flee for his life. But the only place left to flee is the train tracks. In his delusions, in his anguish, the reality of the tracks mean very little to him, and neither does the train, or Nobuko’s faint pleas for him to stop.

The illusion of inconsequential surreality is shattered under the bellow of the train’s horn and the flare of its headlights. The boy is in midair, leaping in fearful retreat, when he takes notice. The heart that had rotted away for so long plummets to the recesses of his ill stomach, and he nearly vomits from fright. There is nothing the boy can do to prevent the inevitable, but there was much he could have done to prevent this capitulation of events. He knows it, and is very much sorry for it. 

He is sorry for Akihabara.

With the truth clarified, the boy actually feels a brief moment of peace, contradictory peace in a state of helplessness. Peace birthed from the fact that the shadows of that past, present, and future are no longer his problem. After all, by his own decision, life had abandoned him long before time called it, and time roared along as always, faithfully on schedule.

The train will soon be approaching. Please step away from the tracks.